Sunday, October 16, 2005
Visuals
Silence
The last moments of dusk, sunlight streaming low on the horizon
pan across the sillhouette of a car - convertible, perhaps.
the car is empty.
fade in intro
pan more, revealing a beach-head / pier, with a lone figure sitting huddled on it
voice-in, ? walk-to? or perhaps fade and pan to her
She, hair loose, rippling slightly in the breeze, knees drawn up as she sits on the end of the pier
looking into the distance,
(without her mask)
with those lost eyes - which can be so beautiful when they're... real.
gratuitious shots : beach, sunset, face, eyes. Pan as many times as you want.
fade in to mystery guy
same setting, sunset, standing by the sea looking out into the distance, with the same... sadness in his eyes. off to the side you can just make out the same pier.
her voice continues, calling to him
sometimes he looks to his side slightly, as if almost-hearing something, then he looks back out to sea
fade back to her
gratuitious brush hair away from brow shots, more close ups, vulnerable sad smiles, etcetc.
towards the end of the song, pan across from him to the pier, making it obvious she's not there while he is
and then fade to her, and pan out as the song ends, during silence, to the beach where he isn't
and then back to the silhouette of the car
The last moments of dusk, sunlight streaming low on the horizon
pan across the sillhouette of a car - convertible, perhaps.
the car is empty.
fade in intro
pan more, revealing a beach-head / pier, with a lone figure sitting huddled on it
voice-in, ? walk-to? or perhaps fade and pan to her
She, hair loose, rippling slightly in the breeze, knees drawn up as she sits on the end of the pier
looking into the distance,
(without her mask)
with those lost eyes - which can be so beautiful when they're... real.
gratuitious shots : beach, sunset, face, eyes. Pan as many times as you want.
fade in to mystery guy
same setting, sunset, standing by the sea looking out into the distance, with the same... sadness in his eyes. off to the side you can just make out the same pier.
her voice continues, calling to him
sometimes he looks to his side slightly, as if almost-hearing something, then he looks back out to sea
fade back to her
gratuitious brush hair away from brow shots, more close ups, vulnerable sad smiles, etcetc.
towards the end of the song, pan across from him to the pier, making it obvious she's not there while he is
and then fade to her, and pan out as the song ends, during silence, to the beach where he isn't
and then back to the silhouette of the car
